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	<title>Comments on: Hollywood East&#8217;s Less-Than Red Carpet Arrival</title>
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		<title>By: PEMBROKEpete</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-6709</link>
		<dc:creator>PEMBROKEpete</dc:creator>
		<pubDate>Sun, 10 Jan 2010 19:10:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-6709</guid>
		<description>Have a baby by me, baby! Be a millionaire 
Have a baby by me, baby! Be a millionaire 
Have a baby by me, baby! Be a millionaire 
Be a millionaire, Be a, Be a millionaire</description>
		<content:encoded><![CDATA[<p>Have a baby by me, baby! Be a millionaire<br />
Have a baby by me, baby! Be a millionaire<br />
Have a baby by me, baby! Be a millionaire<br />
Be a millionaire, Be a, Be a millionaire</p>
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		<title>By: Roman</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-6476</link>
		<dc:creator>Roman</dc:creator>
		<pubDate>Tue, 05 Jan 2010 12:30:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-6476</guid>
		<description>I think it&#039;s not so important to transfer this hollywood? but it&#039;s very difficult proces.In my &lt;a href=&quot;http://keramica.ucoz.com/&quot; rel=&quot;nofollow&quot;&gt;site&lt;/a&gt; I have many films made in this studio. But money, which will be spent on this transfer can be put to another important things</description>
		<content:encoded><![CDATA[<p>I think it&#8217;s not so important to transfer this hollywood? but it&#8217;s very difficult proces.In my <a href="http://keramica.ucoz.com/" rel="nofollow">site</a> I have many films made in this studio. But money, which will be spent on this transfer can be put to another important things</p>
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		<title>By: Peter M. McSwiggin</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-6066</link>
		<dc:creator>Peter M. McSwiggin</dc:creator>
		<pubDate>Fri, 18 Dec 2009 20:07:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-6066</guid>
		<description>Wow, Some lenthly statements here. Lot&#039;s of good points. 
I would just like to know, While were waiting and hoping for the studios to be built,What happened to all the films that were coming our way. We had a great 5 year run and now all of a sudden, there isn&#039;t even a rumor of whats in the pipeline for us here for 2010. Everything has come to a total halt. At this point I would be more concerned about what films are coming in and when. They can build the studios later. 
Peter McSwiggin. 
&quot;The SagAlong&#039;s&quot;</description>
		<content:encoded><![CDATA[<p>Wow, Some lenthly statements here. Lot&#8217;s of good points.<br />
I would just like to know, While were waiting and hoping for the studios to be built,What happened to all the films that were coming our way. We had a great 5 year run and now all of a sudden, there isn&#8217;t even a rumor of whats in the pipeline for us here for 2010. Everything has come to a total halt. At this point I would be more concerned about what films are coming in and when. They can build the studios later.<br />
Peter McSwiggin.<br />
&#8220;The SagAlong&#8217;s&#8221;</p>
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		<title>By: Dan Toland</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-6029</link>
		<dc:creator>Dan Toland</dc:creator>
		<pubDate>Fri, 18 Dec 2009 02:37:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-6029</guid>
		<description>I am a resident of Weymouth and would love to see an influx of movies. It would be a huge boost to the local economy.</description>
		<content:encoded><![CDATA[<p>I am a resident of Weymouth and would love to see an influx of movies. It would be a huge boost to the local economy.</p>
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		<title>By: Rudder Holdemberg</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-6026</link>
		<dc:creator>Rudder Holdemberg</dc:creator>
		<pubDate>Thu, 17 Dec 2009 22:55:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-6026</guid>
		<description>I hope this comes through, not only for Mr. Slavin, but, for the rest of the East side film, actors, and entertainment people who would reap the benefits of working at this facility.  It would be great for the local economy.  I think we would need to add about 3 lanes in each direction to Route 18 though.  Go WeymouthWood!</description>
		<content:encoded><![CDATA[<p>I hope this comes through, not only for Mr. Slavin, but, for the rest of the East side film, actors, and entertainment people who would reap the benefits of working at this facility.  It would be great for the local economy.  I think we would need to add about 3 lanes in each direction to Route 18 though.  Go WeymouthWood!</p>
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		<title>By: Hollywood Hyde</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-6023</link>
		<dc:creator>Hollywood Hyde</dc:creator>
		<pubDate>Thu, 17 Dec 2009 22:37:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-6023</guid>
		<description>I first would like to ask &quot;Where are all the Boston Actors&quot; Matt Damon,Ben Aff,Steve,Mark Wal,and the rest of the crew who always pay omage to Boston. These guys can&#039;t get put there money together to get this done. This is an historical moment in our lives that a studio will be huge for our state and for movies in the east coast all together.</description>
		<content:encoded><![CDATA[<p>I first would like to ask &#8220;Where are all the Boston Actors&#8221; Matt Damon,Ben Aff,Steve,Mark Wal,and the rest of the crew who always pay omage to Boston. These guys can&#8217;t get put there money together to get this done. This is an historical moment in our lives that a studio will be huge for our state and for movies in the east coast all together.</p>
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		<title>By: Chuck Slavin "DotCom"</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-6021</link>
		<dc:creator>Chuck Slavin "DotCom"</dc:creator>
		<pubDate>Thu, 17 Dec 2009 22:20:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-6021</guid>
		<description>I just wanted to take a moment and thank everyone for reading this article, and commenting. I really think Andrea did a fantastic job of being “fair and balanced” on this issue. I think this is a healthy discussion and I know deep down how important it is for us New England Filmmakers to keep these Film Tax Incentives in place and eventually have a multi-sound stage movie studio here in Massachusetts. It is essential to obtain the goal of having Film/TV projects here year round. I know there is a lot of support for film behind the scenes and hope each of you will take a moment to contact your legislators and please tell them you appreciate their efforts. Please if anyone has a questions or feedback for me; follow the link attached to my name (click on my name in blue below), and find the contact form on my website. See you on set, Chuck Slavin “DotCom” 

Please Call or Email and Thank your Local Massachusetts Legislators for supporting Film.
House Clerk: 617 722 2356
Senate Clerk: 617 722 1276
Ask for your local Representative or Senator, and thank them. We need to show them we support their efforts in Film!!!</description>
		<content:encoded><![CDATA[<p>I just wanted to take a moment and thank everyone for reading this article, and commenting. I really think Andrea did a fantastic job of being “fair and balanced” on this issue. I think this is a healthy discussion and I know deep down how important it is for us New England Filmmakers to keep these Film Tax Incentives in place and eventually have a multi-sound stage movie studio here in Massachusetts. It is essential to obtain the goal of having Film/TV projects here year round. I know there is a lot of support for film behind the scenes and hope each of you will take a moment to contact your legislators and please tell them you appreciate their efforts. Please if anyone has a questions or feedback for me; follow the link attached to my name (click on my name in blue below), and find the contact form on my website. See you on set, Chuck Slavin “DotCom” </p>
<p>Please Call or Email and Thank your Local Massachusetts Legislators for supporting Film.<br />
House Clerk: 617 722 2356<br />
Senate Clerk: 617 722 1276<br />
Ask for your local Representative or Senator, and thank them. We need to show them we support their efforts in Film!!!</p>
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		<title>By: Mimi</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5998</link>
		<dc:creator>Mimi</dc:creator>
		<pubDate>Thu, 17 Dec 2009 16:51:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5998</guid>
		<description>The industry has changed to such an extent that the stages in LA are not working as much as they need to, the focus for movie execs is presently on how films are to be distributed since that&#039;s where the profit is and NOBODY KNOWS yet what the answer to distribution is.  In my opinion, Massachusetts does need a stage simply to deal with providing cover for year round work, but it&#039;s not the answer to building a solid film business. There are many factors as everyone who has contributed to this dialogue has attested.  My basic question is:  Why ape Hollywood?  It has over 100 years&#039; head start on Boston.  Second question: Why not define another area of expertise as Boston own???
Mimi</description>
		<content:encoded><![CDATA[<p>The industry has changed to such an extent that the stages in LA are not working as much as they need to, the focus for movie execs is presently on how films are to be distributed since that&#8217;s where the profit is and NOBODY KNOWS yet what the answer to distribution is.  In my opinion, Massachusetts does need a stage simply to deal with providing cover for year round work, but it&#8217;s not the answer to building a solid film business. There are many factors as everyone who has contributed to this dialogue has attested.  My basic question is:  Why ape Hollywood?  It has over 100 years&#8217; head start on Boston.  Second question: Why not define another area of expertise as Boston own???<br />
Mimi</p>
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		<title>By: Jean-Paul Ouellette</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5991</link>
		<dc:creator>Jean-Paul Ouellette</dc:creator>
		<pubDate>Thu, 17 Dec 2009 15:26:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5991</guid>
		<description>The question of Hollywood Studios in Massachusetts has been a enigma for three decades.  But you have to remember what a studio means.  It means you have a place with controlled sound and the ability to work from home.  It means you can get up in your own bed and kiss the spouse and kids goodbye.  It means you can have a business meeting at lunch.  It means that you can wrap the day at a decent time, get in your car, stop by your accountant&#039;s office and have drinks with your friends before you head home to a comfortable night with your family.  For a Hollywood studio it means you use what you already own, your studio lot.  It means cost savings.  If you live in LA what is the point of a studio in Massachusetts?  None, really.  And if you start making Hollywood films in Massachusetts studios, the cost of bringing &quot;home&quot; to Massachusetts would outstrip the benefits.

The second question is that even in Los Angeles, the Studios and their producers sometimes skip their own studios (while cheaper than renting someone else&#039;s studio, they are still costly) and run to Long Beach and set up temporary studios in the shipyard warehouses or warehouse centers in Santa Clarita Valley or City of Industry.  And they can still get home for dinner.   

Thirdly, for the local film industry in Massachusetts?  Well, we need to do what L.A. does so well: show we can have both a steady union production slate and thriving, but financially successful, non-union industry co-existing here.  I&#039;ve worked in L.A. and a lot of great union talent came from the non-union industry there and many of the learning came from union members working on non-union shows to fill time and extra money.  It is a process with keeps people working, fresh blood circulating through the business, and balances needs of the audience through a financially stable industry.  Until we can show this for Massachusetts, it is unlikely we need big studios here. 

If anything, we could use a couple of studios, situated near high class food and lodging (and not self-contained like the proposed PRS), within sight of a major airport, as cover sets for Hollywood films which shoot here when the weather is unreasonable for shooting.  And these would still not get a lot of use.  For the moment, there is no great need from Hollywood for us to have studios and little need for our independent film industry to have much more than we already have through facilities like Kramer and High Output.  What we need to do is show we have the film product to support studios when Hollywood is not using them, and we haven&#039;t really done that to date.  Hopefully we will.</description>
		<content:encoded><![CDATA[<p>The question of Hollywood Studios in Massachusetts has been a enigma for three decades.  But you have to remember what a studio means.  It means you have a place with controlled sound and the ability to work from home.  It means you can get up in your own bed and kiss the spouse and kids goodbye.  It means you can have a business meeting at lunch.  It means that you can wrap the day at a decent time, get in your car, stop by your accountant&#8217;s office and have drinks with your friends before you head home to a comfortable night with your family.  For a Hollywood studio it means you use what you already own, your studio lot.  It means cost savings.  If you live in LA what is the point of a studio in Massachusetts?  None, really.  And if you start making Hollywood films in Massachusetts studios, the cost of bringing &#8220;home&#8221; to Massachusetts would outstrip the benefits.</p>
<p>The second question is that even in Los Angeles, the Studios and their producers sometimes skip their own studios (while cheaper than renting someone else&#8217;s studio, they are still costly) and run to Long Beach and set up temporary studios in the shipyard warehouses or warehouse centers in Santa Clarita Valley or City of Industry.  And they can still get home for dinner.   </p>
<p>Thirdly, for the local film industry in Massachusetts?  Well, we need to do what L.A. does so well: show we can have both a steady union production slate and thriving, but financially successful, non-union industry co-existing here.  I&#8217;ve worked in L.A. and a lot of great union talent came from the non-union industry there and many of the learning came from union members working on non-union shows to fill time and extra money.  It is a process with keeps people working, fresh blood circulating through the business, and balances needs of the audience through a financially stable industry.  Until we can show this for Massachusetts, it is unlikely we need big studios here. </p>
<p>If anything, we could use a couple of studios, situated near high class food and lodging (and not self-contained like the proposed PRS), within sight of a major airport, as cover sets for Hollywood films which shoot here when the weather is unreasonable for shooting.  And these would still not get a lot of use.  For the moment, there is no great need from Hollywood for us to have studios and little need for our independent film industry to have much more than we already have through facilities like Kramer and High Output.  What we need to do is show we have the film product to support studios when Hollywood is not using them, and we haven&#8217;t really done that to date.  Hopefully we will.</p>
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		<title>By: Lisa Cooke</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5990</link>
		<dc:creator>Lisa Cooke</dc:creator>
		<pubDate>Thu, 17 Dec 2009 15:24:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5990</guid>
		<description>I think this article is dead on. We need to start showcasing the local talent. It may be hard to hear, but we need more local actors in these movies. Chuck Slavin may be greedy, but we need more like him. As soon as the public sees more actors from Boston they will start seeing these incentives are working.</description>
		<content:encoded><![CDATA[<p>I think this article is dead on. We need to start showcasing the local talent. It may be hard to hear, but we need more local actors in these movies. Chuck Slavin may be greedy, but we need more like him. As soon as the public sees more actors from Boston they will start seeing these incentives are working.</p>
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		<title>By: Vic Clay</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5966</link>
		<dc:creator>Vic Clay</dc:creator>
		<pubDate>Thu, 17 Dec 2009 10:08:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5966</guid>
		<description>Well, well, well, this is very interesting to read. Some of it is rather disturbing but I would really need to have those parts confirmed by other sources before I got upset. I believe there is one area that has not been touched on and yet is crucial to recognize. 
  In this area, filmmaking stops on Thanksgiving, unless a film has a lot of wintery scenes, but, tv goes all year round.I may be misinformed but I heard that Plymouth was already accepting letters of intent from tv shows, mostly talk shows, to use the stages. If that happened, the stages would be making money year round and become a cash cow for the studio. That, in turn, would mean it would be necessary to have a lot of full time employees with specialized industry skills working there. And that in turn would make year round filmmaking there more attractive. Someone here mentioned something about location accessability and domiciling too. Plymouth is right on a major highway, albeit one that is frequently congested and part of the plan did include a hotel and campus. That said, it is all pretty much moot right now because no matter what we think or write, it is up to the big money people to fund this and that will come down to the bottom line. I say they should build the hotel first and have that as a cash cow to get started. Maybe even keep at least part of the gold course operating too. Then build at least one stage and make the hotel a boutique type niche ultra lux place, with 4 star restaurants, spas, helipad and etc., where the hook is that the customers will be rubbing elbows with movie stars. I would guess that a hotel style building in Plymouth would have at least on the higher floors some great ocean views too. Not knowing exactly where in the town the land is, I can only speculate but it would be great if it was a place that had some shore rights too so boating or rather yachting could be part of the package. Of course all amenities of these types would be attractive to the movie stars and rich directors and producers and also help to solidify the location. To recap, while we can not influence the people who would build a studio, we might be able to get the studio interested in thinking a  bit differently to get started as I outlined or as anyone else who has a way to expedite things can offer. We need more creative thinking here if this is going to happen and I hope that PRS realizes that. That&#039;s my 2 cents.</description>
		<content:encoded><![CDATA[<p>Well, well, well, this is very interesting to read. Some of it is rather disturbing but I would really need to have those parts confirmed by other sources before I got upset. I believe there is one area that has not been touched on and yet is crucial to recognize.<br />
  In this area, filmmaking stops on Thanksgiving, unless a film has a lot of wintery scenes, but, tv goes all year round.I may be misinformed but I heard that Plymouth was already accepting letters of intent from tv shows, mostly talk shows, to use the stages. If that happened, the stages would be making money year round and become a cash cow for the studio. That, in turn, would mean it would be necessary to have a lot of full time employees with specialized industry skills working there. And that in turn would make year round filmmaking there more attractive. Someone here mentioned something about location accessability and domiciling too. Plymouth is right on a major highway, albeit one that is frequently congested and part of the plan did include a hotel and campus. That said, it is all pretty much moot right now because no matter what we think or write, it is up to the big money people to fund this and that will come down to the bottom line. I say they should build the hotel first and have that as a cash cow to get started. Maybe even keep at least part of the gold course operating too. Then build at least one stage and make the hotel a boutique type niche ultra lux place, with 4 star restaurants, spas, helipad and etc., where the hook is that the customers will be rubbing elbows with movie stars. I would guess that a hotel style building in Plymouth would have at least on the higher floors some great ocean views too. Not knowing exactly where in the town the land is, I can only speculate but it would be great if it was a place that had some shore rights too so boating or rather yachting could be part of the package. Of course all amenities of these types would be attractive to the movie stars and rich directors and producers and also help to solidify the location. To recap, while we can not influence the people who would build a studio, we might be able to get the studio interested in thinking a  bit differently to get started as I outlined or as anyone else who has a way to expedite things can offer. We need more creative thinking here if this is going to happen and I hope that PRS realizes that. That&#8217;s my 2 cents.</p>
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		<title>By: Susan Sullivan</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5947</link>
		<dc:creator>Susan Sullivan</dc:creator>
		<pubDate>Thu, 17 Dec 2009 03:57:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5947</guid>
		<description>I think this is the first article that has looked at Mass. Movie Studios objectively. It&#039;s great to see all the stars in town, and all the money it brings. I hope a studio is built, but I won&#039;t believe it until I see it! It would be nice to have movies here year round.</description>
		<content:encoded><![CDATA[<p>I think this is the first article that has looked at Mass. Movie Studios objectively. It&#8217;s great to see all the stars in town, and all the money it brings. I hope a studio is built, but I won&#8217;t believe it until I see it! It would be nice to have movies here year round.</p>
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		<title>By: Laura Bianca Cipolla</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5938</link>
		<dc:creator>Laura Bianca Cipolla</dc:creator>
		<pubDate>Thu, 17 Dec 2009 02:09:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5938</guid>
		<description>Hollywood is Hollywood. 
New England will never even come close.
It hasn&#039;t already happened &amp; never will.
Plymouth is in the middle of nowhere, it sounds lame!</description>
		<content:encoded><![CDATA[<p>Hollywood is Hollywood.<br />
New England will never even come close.<br />
It hasn&#8217;t already happened &amp; never will.<br />
Plymouth is in the middle of nowhere, it sounds lame!</p>
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		<title>By: Ahura Z.</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5927</link>
		<dc:creator>Ahura Z.</dc:creator>
		<pubDate>Wed, 16 Dec 2009 23:15:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5927</guid>
		<description>I personally, am glad that anything that is titled &quot;hollywood east&quot; did&#039;nt take flight, (no pun intended).  I mean.  Did it ever dawn on anyonr that Hollywood is corrupt and would only corrupt anything else that it touched?

Geez!  Enough with the hollywood east crap.  What New England need is NEW ideas, new movies, a NEW NAME!!

Hopfully a name that is borne of creativity, and not mimicry.  If you all just want to be like hollywood when you grow up, why not just pack your bags and move to California, and stand in line waiting to be the next great piece of furniture, and work as hard as you can to become a STAR along with the other twenty or thirty million sheeple that want to be just like hollywood only to be completely crushed when someone gets a part in a film, when you, and everyone else knows that the person did not have one tenth the talent that you did, and got the part only just because of the color of their skin.  

Or maybe you all like the fact that someone from hollywood can totally insult the intelligence of women,
by glorifying rape, and promoting the special feeling that comes from being called names that not even an animal should have to endure.  Oh!  Oh!  Perhaps you like when holywood sees it fit to have someone in history, or ledgend that is obviously greek portrayed by someone with an austrailian, or english accent, and I quote..

           THIS IS SPAHTAH!!!

NO! I say that until the actors of the east start seeing that calling anything a branch of hollywood is a mistake we are doomed to be ever reaching for a brass ring that is really made of plastic.  But then what do I know, I&#039;m just someone that understands hollywood for what it is, and want NO part of it.  I will create my own film empire, and will challenge anyone with a creative mind and strong will to do the same.  Perhaps if we stop thinking about the tax breaks, rebates, and money, and start thinking about the art, the reputation, and buildings will come.  I have news for the person that wants to be hollywood east.  You are only giving your power to a beast that sees you only as a thread in the red carpet, and will be happy to walk all over you.

Peace.  Ahura Z.</description>
		<content:encoded><![CDATA[<p>I personally, am glad that anything that is titled &#8220;hollywood east&#8221; did&#8217;nt take flight, (no pun intended).  I mean.  Did it ever dawn on anyonr that Hollywood is corrupt and would only corrupt anything else that it touched?</p>
<p>Geez!  Enough with the hollywood east crap.  What New England need is NEW ideas, new movies, a NEW NAME!!</p>
<p>Hopfully a name that is borne of creativity, and not mimicry.  If you all just want to be like hollywood when you grow up, why not just pack your bags and move to California, and stand in line waiting to be the next great piece of furniture, and work as hard as you can to become a STAR along with the other twenty or thirty million sheeple that want to be just like hollywood only to be completely crushed when someone gets a part in a film, when you, and everyone else knows that the person did not have one tenth the talent that you did, and got the part only just because of the color of their skin.  </p>
<p>Or maybe you all like the fact that someone from hollywood can totally insult the intelligence of women,<br />
by glorifying rape, and promoting the special feeling that comes from being called names that not even an animal should have to endure.  Oh!  Oh!  Perhaps you like when holywood sees it fit to have someone in history, or ledgend that is obviously greek portrayed by someone with an austrailian, or english accent, and I quote..</p>
<p>           THIS IS SPAHTAH!!!</p>
<p>NO! I say that until the actors of the east start seeing that calling anything a branch of hollywood is a mistake we are doomed to be ever reaching for a brass ring that is really made of plastic.  But then what do I know, I&#8217;m just someone that understands hollywood for what it is, and want NO part of it.  I will create my own film empire, and will challenge anyone with a creative mind and strong will to do the same.  Perhaps if we stop thinking about the tax breaks, rebates, and money, and start thinking about the art, the reputation, and buildings will come.  I have news for the person that wants to be hollywood east.  You are only giving your power to a beast that sees you only as a thread in the red carpet, and will be happy to walk all over you.</p>
<p>Peace.  Ahura Z.</p>
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		<title>By: Reesa Guerra</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5923</link>
		<dc:creator>Reesa Guerra</dc:creator>
		<pubDate>Wed, 16 Dec 2009 22:56:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5923</guid>
		<description>I am honestly sickened by this entire thing. I was so excited and hopeful for more work in New England. I am a union actress and screenplay writer. The studio was the main reason why i didnt go to LA and stayed here waiting. So many people I know moved from both LA and NY to come here. Even a few new casting agency&#039;s opened-which is great considering Agents cant even exist here legally-which is an entire other issue.</description>
		<content:encoded><![CDATA[<p>I am honestly sickened by this entire thing. I was so excited and hopeful for more work in New England. I am a union actress and screenplay writer. The studio was the main reason why i didnt go to LA and stayed here waiting. So many people I know moved from both LA and NY to come here. Even a few new casting agency&#8217;s opened-which is great considering Agents cant even exist here legally-which is an entire other issue.</p>
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		<title>By: Thomas</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5879</link>
		<dc:creator>Thomas</dc:creator>
		<pubDate>Wed, 16 Dec 2009 13:53:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5879</guid>
		<description>&quot;I have often wondered why one would put a full sound studio in Plymouth MA. It’s not close to any major interstate highway, major city or major hotels to accomidate a full staff/crew etc.&quot;

Sounds like another Wilmington, NC! Just more high tech, modern and bigger, but stuck out in an out of the way backwash.

A studio was built in a hillbilly backwash in Western North Carolina many years ago, they did the studio work for THE ABYSS there, then the work dried up, and it sits pretty well empty today. A grim lesson to consider!</description>
		<content:encoded><![CDATA[<p>&#8220;I have often wondered why one would put a full sound studio in Plymouth MA. It’s not close to any major interstate highway, major city or major hotels to accomidate a full staff/crew etc.&#8221;</p>
<p>Sounds like another Wilmington, NC! Just more high tech, modern and bigger, but stuck out in an out of the way backwash.</p>
<p>A studio was built in a hillbilly backwash in Western North Carolina many years ago, they did the studio work for THE ABYSS there, then the work dried up, and it sits pretty well empty today. A grim lesson to consider!</p>
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		<title>By: Thomas</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5878</link>
		<dc:creator>Thomas</dc:creator>
		<pubDate>Wed, 16 Dec 2009 13:45:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5878</guid>
		<description>Oh, can I be a little long winded?

&quot;But the plot thickens: Even those states report varying levels of success since building sound stages — and it seems until this fledgling film industry evolves further, the numbers regarding impact will continue to be somewhat mysterious.&quot;

Reality is, the states that have invested in infrastructure, like sound stages, and studios, here in the East, most film crew people I know are having to go to those locations to get work, like Louisiana for instance. The same goes for New Mexico, its working for them.

As for mystery, its no secret, most producers will fly around like butterflies, from one flower to another, which ever one has the most tax incentives at the moment. 

So its important once you have the studios and sound stages in place to make the incentives as permanent as possible, show that your in for the long haul. 

California was a super film friendly place for decades, that anchored the industry [ and the weather helped more then you can imagine don&#039;t forget,]and it has taken a number of years for the film un-friendliness to start driving the industry away. These are all important facts to remember in your quest to establish an East Coast Hollywood.</description>
		<content:encoded><![CDATA[<p>Oh, can I be a little long winded?</p>
<p>&#8220;But the plot thickens: Even those states report varying levels of success since building sound stages — and it seems until this fledgling film industry evolves further, the numbers regarding impact will continue to be somewhat mysterious.&#8221;</p>
<p>Reality is, the states that have invested in infrastructure, like sound stages, and studios, here in the East, most film crew people I know are having to go to those locations to get work, like Louisiana for instance. The same goes for New Mexico, its working for them.</p>
<p>As for mystery, its no secret, most producers will fly around like butterflies, from one flower to another, which ever one has the most tax incentives at the moment. </p>
<p>So its important once you have the studios and sound stages in place to make the incentives as permanent as possible, show that your in for the long haul. </p>
<p>California was a super film friendly place for decades, that anchored the industry [ and the weather helped more then you can imagine don't forget,]and it has taken a number of years for the film un-friendliness to start driving the industry away. These are all important facts to remember in your quest to establish an East Coast Hollywood.</p>
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		<title>By: Thomas</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5875</link>
		<dc:creator>Thomas</dc:creator>
		<pubDate>Wed, 16 Dec 2009 13:31:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5875</guid>
		<description>Now that was an excellent article Chuck, told it like it is and brought out all of the factors involved in creating a true &quot;Hollywood East&quot; I thought!In other words, its right on man!
 
What it comes down to is this, and I like the one guy&#039;s comments, so true, to have another Hollywood, you need to see what made Hollywood what it is.
 
To create Hollywood East, you need ALL of the following,
 
1.] Tax Incentives,
 
2.] Infrastructure, studios, sound stages,
 
3.] Great film crew and technical base,
 
4.] Real Producers and screen writers to originate film projects,
 
5.] A distribution network for the created films.
 
Once this is accomplished, you have created a new Hollywood!

But its the points 4 and 5 that are really important in the long run. As long as you just depend on the L.A crowd to bring their projects out to film, you will only get a limted amount of work. I just read the other day that production in L.A. has gone up 16% since the new California incentives have been implemented. It looks like most of my fellow Californians are awakening out of their stupor and realizing that their business base is blowing away, which means they are going down the toilet unless they do something, and something drastic and effective,....... and quick!

So, New England, get on the stick and get busy if you want your share of the film business!

Florida has a lot of film industry infrastructure, but does not have the tax incentives, but they are &quot;getting it&quot; now, and when they pass competitive incentives, look out. Film makers like that sunny climate, like California, so get busy guys and girls!</description>
		<content:encoded><![CDATA[<p>Now that was an excellent article Chuck, told it like it is and brought out all of the factors involved in creating a true &#8220;Hollywood East&#8221; I thought!In other words, its right on man!</p>
<p>What it comes down to is this, and I like the one guy&#8217;s comments, so true, to have another Hollywood, you need to see what made Hollywood what it is.</p>
<p>To create Hollywood East, you need ALL of the following,</p>
<p>1.] Tax Incentives,</p>
<p>2.] Infrastructure, studios, sound stages,</p>
<p>3.] Great film crew and technical base,</p>
<p>4.] Real Producers and screen writers to originate film projects,</p>
<p>5.] A distribution network for the created films.</p>
<p>Once this is accomplished, you have created a new Hollywood!</p>
<p>But its the points 4 and 5 that are really important in the long run. As long as you just depend on the L.A crowd to bring their projects out to film, you will only get a limted amount of work. I just read the other day that production in L.A. has gone up 16% since the new California incentives have been implemented. It looks like most of my fellow Californians are awakening out of their stupor and realizing that their business base is blowing away, which means they are going down the toilet unless they do something, and something drastic and effective,&#8230;&#8230;. and quick!</p>
<p>So, New England, get on the stick and get busy if you want your share of the film business!</p>
<p>Florida has a lot of film industry infrastructure, but does not have the tax incentives, but they are &#8220;getting it&#8221; now, and when they pass competitive incentives, look out. Film makers like that sunny climate, like California, so get busy guys and girls!</p>
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		<title>By: Gary.W</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5837</link>
		<dc:creator>Gary.W</dc:creator>
		<pubDate>Wed, 16 Dec 2009 02:42:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5837</guid>
		<description>It&#039;s all talk, Lets do what they did in the early days in LA. Thats what we are doing......Jan 2010</description>
		<content:encoded><![CDATA[<p>It&#8217;s all talk, Lets do what they did in the early days in LA. Thats what we are doing&#8230;&#8230;Jan 2010</p>
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		<title>By: Jonathan</title>
		<link>http://www.wbur.org/2009/12/15/hollywood-east/comment-page-1#comment-5829</link>
		<dc:creator>Jonathan</dc:creator>
		<pubDate>Wed, 16 Dec 2009 01:13:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.wbur.org/?p=13037#comment-5829</guid>
		<description>To Scott: Chuck Slavin has rallied for getting the state to vote for getting the two studios built (in which he obviously succeeded), started the Filmmaker&#039;s Shindig networking party in Quincy to connect us all together, effectively raised awareness in just about everything that has to do with filming in the state of MA so that we cast/crew stay in the loop, not to mention advised us on who to vote for in the upcoming Representatives election.

He&#039;s practically a lobbyist for filming in the state of MA. In order words, he&#039;s the voice of all of us in film, a voice that&#039;s been listened to plenty of times.

Only so much can be gleaned from just reading an article, a lot more can be learned from correspondence with the man himself.

All I&#039;m saying is, if he wanted to have a studio built in Andover, he could draw enough support to have it done, but it&#039;s too far away from where he lives.</description>
		<content:encoded><![CDATA[<p>To Scott: Chuck Slavin has rallied for getting the state to vote for getting the two studios built (in which he obviously succeeded), started the Filmmaker&#8217;s Shindig networking party in Quincy to connect us all together, effectively raised awareness in just about everything that has to do with filming in the state of MA so that we cast/crew stay in the loop, not to mention advised us on who to vote for in the upcoming Representatives election.</p>
<p>He&#8217;s practically a lobbyist for filming in the state of MA. In order words, he&#8217;s the voice of all of us in film, a voice that&#8217;s been listened to plenty of times.</p>
<p>Only so much can be gleaned from just reading an article, a lot more can be learned from correspondence with the man himself.</p>
<p>All I&#8217;m saying is, if he wanted to have a studio built in Andover, he could draw enough support to have it done, but it&#8217;s too far away from where he lives.</p>
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