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While some New England museums have closed for renovations this month, others are picking up the slack with shows on Ansel Adams and the ancient culture of Siam.
by Mary Sherman
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Painting from "The King of Siam" exhibit at the Peabody Essex Museum. |
Boston, MA - August 02, 2005 -
1) "Vault Series Focus: Ragna Robertsdottier" at the
New Bedford Art Museum, New
Bedford, MA through September 2, 2005. Treating lava from her native Iceland
a bit like paint, Ragna Robertsdottier has applied a thin layer of the pumice
directly to a large stretch of the museum's wall. The resulting abstract field
glistens and absorbs light creating a literally displaced landscape that is as
forbidding as it is visually alluring.
2) "Visions of Moby-Dick: 3 Contemporary
Artists: Aileen Callahan, George Klauba, Mark Milloff" at the New
Bedford Art Museum,
New Bedford, MA, through September 2, 2005. This perfectly matched theme show
for New Bedford features three responses to Herman Melville's classic tale.
Aileen Callahan's intensely expressive abstractions deal with the book's raw
emotions. George Klauba builds on the story's already rich symbolism by transforming
Melville's characters into birds, while Mark Milloff creates a disjointed installation
that combines his interest in African American music with pastels depicting
fantastical scenes.
3) Videos by Oliver Herring at the MIT
List Visual Arts Center's Media Test Wall, Cambridge, MA, through
September 9, 2005. In Oliver Herring's short videos, all our dreams come true. "Numbers" presents
a person who is buried in a whirlwind of dollar bills. In the charming "Dance," Herring
shows us that even the most unlikely ballerinas can create a touching pas-de-deux.
In "Spit," the childish
temptation to turn one's mouth into a waterspout is transformed into a rapid-fire
collage of people encouraged to do just that.
4) "Girls on Film" at the
Sert Gallery in the Carpenter Center for the Visual Arts, Harvard
University, Cambridge, MA, through September 18, 2005. "Girls
on Film" is
a revealing show about girls captured on celluloid that we never saw, unless
the film projectionist slipped up. Julie Buck and Karin Segal, a pair of conservationists
at the Harvard Film Archive, found and then restored dozens of images from film
leaders. In doing so, they uncovered frames of anonymous women carefully posed
with color strips, a common practice used to calibrate color balance and tone.
Dubbed by the industry as "China
Girls," these women's images were attached to films in America and abroad, from
1928 to 1992. With digitalization, the set-up came to an end. But, as the show
provocatively suggests, "Who were these women? Why were they called 'China Girls?'
Who set up these staged shots?" The answers -- or non-answers, as no one seems
to remember -- suggest an insider's world, rife with sexist and racist overtones.
Today, with so many women and Chinese making impressive directing debuts, it
seems almost shocking that no one exposed this patronizing practice before.
5) "Ansel
Adams: Celebration of Genius" at the University
of Maine Museum of Art,
Bangor, ME, through October 8, 2005. This exhibition, put
together in 2002 by the George Eastman House International Museum of Photography
and Film to celebrate the centennial of Adams' birth, offers a look at a beautifully
edited selection of Ansel Adams' photos from the 1920s through the 1960s. The
show has a shorter running time than the one that opens later this month at
the Museum of Fine Arts, Boston; so Adams' devotees take note. It's unlikely
to have a pairing of two such shows any time soon.
6) "The Kingdom of Siam: The Art
of Central Thailand, 1350-1800" at
the Peabody Essex Museum, Salem, MA, through
October 16, 2005. The exhibit provides an extraordinary glimpse into the kingdom
of Ayutthaya, known to foreigners as Siam, until its name changed to Thailand
in 1939. This rich culture, nearly lost to the world after the Burmese invasion
in 1767, is resurrected here through sculptures, textiles, illustrated manuscripts,
and architectural fragments, revealing a cosmopolitan, tolerant and vital
South East trading center. It is hard not to be moved by the impressive array
of Buddhas and Hindu deities, nor is this a show to miss. The Peabody Essex
is its only East coast venue.
7) Ansel Adams at the Museum
of Fine Arts,
Boston, MA, through December 31, 2005. This exhibit of Adams' work, like the
show in Maine, offers both recognizable and rarely seen photos. The Boston
version, however, also includes video footage and one of Adams' cameras, which
gives visitors an additional sense of the artist as well as the work. Drawn
from the Museum's Lane Collection, the exhibit covers roughly the same period
as the one in Maine and includes some of the same images, setting up an interesting
comparison between the shows and their similar sets of prints.
8) "Sounds
of the Silk Road: Musical Instruments of Asia" at the Museum
of Fine Arts, Boston, MA, through January 5, 2006. If "The
Kingdom of Siam: The Art of Central Thailand, 1350-1800" leaves you wanting
to know more about that country and its regional neighbors, this show, which
includes several recently donated Thai and Burmese instruments, is an excellent
start.

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