Exclusive First Listen: Norah Jones

It's best to disregard much of the pre-release attention surrounding Norah Jones' new album, The Fall.
Yes, the album was recorded with a new band of well-known session musicians. Drummer Joey Waronker has worked with Beck and R.E.M. Guitarists Marc Ribot and Smokey Hormel have performed on records by Tom Waits, Elvis Costello, Johnny Cash and Joe Strummer. Keyboardist James Poyser has contributed to records by Erykah Badu, Al Green and Common, and is a member of The Roots' house band on Late Night With Jimmy Fallon. Legendary R&B drummer James Gadson — who's performed on studio sessions with Bill Withers, Quincy Jones and Herbie Hancock — lends additional work.

Yes, she chose a new producer in Jacquire King, who'd previously worked with Kings of Leon, Modest Mouse and Tom Waits.
Yes, she enlisted new co-writers such as Ryan Adams and Okkervil River's Will Sheff, while continuing to work with her frequent co-conspirator, Jesse Harris.
The Fall isn't a major change for Norah Jones, so much as it represents an evolution toward a new sound altogether. Jones has gone on record as saying she wanted to revamp her music, but The Fall is by no means her "rock" album. Fans of her previous work won't be disappointed: She pushes toward her new direction gently and subtly rather than plowing into it.
On The Fall, Jones maintains her jazzy, sultry sound while pushing into more contemporary pop territory. "Chasing Pirates," "Even Though" and "It's Gonna Be" (the album's most rock-oriented song) are excellent examples of her new approach. But she doesn't abandon the old one completely: "Back to Manhattan" may be her loveliest song since "Come Away With Me," while "Man of the Hour" is set to a bluesy shuffle and "December" possesses a lullaby-like quality.
A warm, organic-sounding record, The Fall showcases Jones' musical depth in exciting and unexpected ways, suitable for old fans and newcomers alike. Please leave your opinions of the album in the comments section below.
Related Links
STEVE INSKEEP, host:
The singer Norah Jones has been wanting to sound different, a little edgy.
(Soundbite of song)
Ms. NORAH JONES (Singer): (Singing) Come away with me in the night.
INSKEEP: Which is not so easy when you have a voice like this.
(Soundbite of song)
Ms. JONES: (Singing) Come away with me and I will write you a song.
INSKEEP: Thats the title track of Nora Jones huge hit album from 2002. For her latest recording she stepped away from the band that accompanied her on that and other albums. She broke up with Lee Alexander, her long-time collaborator and boyfriend. She recorded an album called The Fall, which is out today. Norah Jones wants to find different ways to use that achingly lovely voice.
(Soundbite of song)
Ms. JONES: (Singing) If all we talk about is money, nothing would be funny, honey. And now that everyones so pretty its making my minds getting hungry.
(Speaking) I think sonically I really just wanted to change things up a little bit and try some different things. I wanted to use heavier drum grooves and experiment with some electronic keyboard sounds, which is I have never really done.
INSKEEP: You have mentioned to somebody that you were inspired in some way by a Tom Waits album.
Ms. JONES: Ive always been inspired by this album called Mule Variations. Its been one of my favorite albums since college. But for this record I really wanted to work with some different people. Ive had this great community of musicians in New York that I play with on my last three records, but I really felt like it was time for me to step outside of that and just try some new things.
And I didnt know how to find everybody, so I needed a great producer to help me put it all together. And I started listening to albums that I love the way they sound, and that was the first one I listened to and looked at the back, cause I never thought to look at who engineered it, who produced it, or whatever, and I found my producer, Jacquire King, cause he engineered part of that record.
INSKEEP: Can we listen to a little bit of one of those tracks from that album? Its called Cold Water, Tom Waits.
(Soundbite of song, Cold Water)
Mr. TOM WAITS (Singer): (Singing) Police at the station and they dont look friendly, well they dont look friendly, well they dont. Blind or crippled, sharp or dull, Im reading the Bible by a 40 watt bulb.
INSKEEP: When people think of Tom Waits voice, maybe Norah Jones voice is not the next voice they would they free-associate to?
Ms. JONES: Well, duh.
(Soundbite of laughter)
Ms. JONES: I mean, you know, I love Tom Waits. I dont expect myself to sing like him, but I guess, you know, when it comes to the instruments and the way everything sounds around him, it sounds so creaky and you can hear the dirt on the floor and you can hear the space and the air and you can hear all the instruments. Yet its still got this interesting groove and you can tell they layer stuff and I think he has a lot of fun with recording.
INSKEEP: It does like in that recording we just heard, it sounds like hes somewhere, hes in a room somewhere. You hear that.
Ms. JONES: Yeah, you can hear the room, and I think, truthfully Ive always kind of gone for a rougher sound, but I just never quite it always ends up sounding, you know, kind of more sweet and smooth because when you put my voice over something, its different than putting Tom Waits voiced over something.
(Soundbite of song)
Ms. JONES: (Singing) I know you said, cant be misled. Now Im the one whose face is red. Youve ruined me now though I liked it
INSKEEP: I could pick a couple of songs that sound a little more edgier, like Youve Ruined Me, but I wonder if you would want to point me to whats a song that feels gritty to you on this album?
Ms. JONES: Thats funny you would say Youve Ruined Me. Peoples impressions of things, you know, are often different from your own. I guess it kind of has something in it.
INSKEEP: Maybe its more of an emotional edge than a grittiness in the production.
Ms. JONES: Yeah, or maybe its because I had allergies that day so I sang really husky.
INSKEEP: Did you really?
Ms. JONES: I did. Oh, I had them bad. It worked out for a few songs though.
INSKEEP: So which track did you say that feels gritty to you here?
Ms. JONES: I think Stuck has a cool vibe on it.
INSKEEP: Well, lets listen to a little bit of Stuck.
(Soundbite of guitar)
Ms. JONES: And yeah, because I played a little guitar in this one, so I played the rhythm part and its a super Neil Young inspired guitar part, for sure
(Soundbite of song, Stuck)
Ms. JONES: (Singing) Just tell me where youve gone astray. You finally commit, you ask me what Im drinking. My friend (unintelligible) my sleep, ask if I want to leave. What Im really thinking
INSKEEP: That recording also has that quality of - you can hear the room. You hear a little bit of reverb there.
Ms. JONES: Yeah, its nice. We chose a studio in New York where we wanted to get a good drum sound where you could kind of have that feeling. Sometimes you do have to make sure youre in the right room where you can capture all that -sounds, you know, the creakiness and all that.
INSKEEP: Id like to listen a little bit to one more song here. Its called Man of the Hour.
(Soundbite of song, Man of the Hour)
Ms. JONES: (Singing) Its him or me. Thats what he said. But I cant choose between a vegan and a pothead. So I chose you, because youre sweet, and you give me lots of lovin and you eat meat. And thats how you became my only man of the hour.
INSKEEP: Im trying to think of a way to ask this next question without giving away that the man of the hour is a dog, but theres just no way.
Ms. JONES: Well, I want people to know, luckily its not a secret, but because this song is even funnier if you know upfront that its about a dog, so
INSKEEP: Yeah. Where did that song come from?
Ms. JONES: I really wanted a dog.
INSKEEP: But its sort of a song about a breakup, isnt it?
Ms. JONES: Yeah, well, I went through one of those too and it was all around the same time, you know, girl loses boy, girl wants dog. You know how it goes.
INSKEEP: Well, not personally, but yes, I get the idea. Did you get a dog?
Ms. JONES: I did, I got a great little dog.
INSKEEP: What kind of dog?
Ms. JONES: Hes like a manly scruffy poodle. Hes got his shaggy hair and he looks kind of like Fozzy Bear.
INSKEEP: Well, Norah Jones, thanks very much.
Ms. JONES: Thank you so much.
INSKEEP: Norah Jones new album is called The Fall.
(Soundbite of song)
Ms. JONES: (Singing) In your messages you said, you were going to bed, but Im not done with the night. So I stayed up and read, but your words in my head got me mixed up
INSKEEP: Its MORNING EDITION from NPR News. Im Steve Inskeep. Transcript provided by NPR, Copyright National Public Radio.
- Beacon Hill »
- Listen: After Brown, Republican ‘Gains To Be Made’ In Many Districts
- Republicans Hope To Double Their Beacon Hill Presence
- Republicans Early Targets at Southie Breakfast
- Commentary »
- Littlefield: Finally, Soccer Has Major-League Problems
- Is Curling A Sport? (Who Cares?)
- Many Winter Olympians Already Have The Gold
- Crime & Justice »
- Mass. Court Upholds State Gun-Lock Requirement
- Boeri: Bishop Story Has More Holes Than A Sieve
- 4 Police Reports Mention Bishop Family ‘Spat’ Before ‘86 Shooting (Interactive)
- Energy »
- Everett Settles In With Its Big, New Neighbor In The Harbor
- Salazar’s Cape Wind Decision Is Difficult, For A Consensus Builder
- Patrick Calls For Plymouth Nuclear Plant Investigation After Vermont Leak
- Environment »
- Fishermen Gather For Summit On Industry’s Fate
- Everett Settles In With Its Big, New Neighbor In The Harbor
- Scientists Say Potential For Red Tide Outbreak Is High
- Ethics »
- Review: Mass. House Spending On DiMasi Case ‘Fair’
- Galluccio Resigns From Senate After Being Jailed
- After Sentencing, Fate Of Galluccio’s Senate Seat Remains Unknown
- Religion »
- As Construction Alters Closed Church, Jamaica Plain Builds Its Community
- Listen: Talk Of Renewal, But Few Decisions In Pope’s Irish Clergy Summit
- Irish Catholics Call For Cardinal Law’s Resignation, Following Clergy Abuse Report
- Sprint To The Senate »
- How He Did It: Behind The Scott Brown Win
- Scott Brown, The New Hero Of The GOP
- Tea Party Credited With Giving Brown A Winning Boost
- H1N1 Swine Flu »
- FAQ: Swine Flu Vaccine Availability
- Mass. Lifts Swine Flu Vaccine Restrictions
- Study: Swine Flu Is Relatively Mild Virus After All
- Senate To Take Up Unemployment Insurance Extension
- Stomach Virus Is Surging In Boston
- Rain Damage, Detours Hinder Commutes In Northeast
- Heavy Rain Continues To Pour On Mass.
- Why We Gain Weight As We Age
- Rough Weather Hits Southern New England
- Coffee Party Founder Wants Common Grounds
- Obama's Attorney General Under Attack
- Peter Gabriel: No Guitars, No Drums, All Covers
- UAW Brokers First Union Contract Under Tribal Law
- Stomach Virus Is Surging In Boston
- Heavy Rain Continues To Pour On Mass.
- Unemployment Rate Doubles For Older Women
- Why Making Healthful Foods Cheaper Isn't Enough
- As Construction Alters Closed Church, Jamaica Plain Builds Its Community
- UAW Brokers First Union Contract Under Tribal Law
- With A Signature In Green, St. Patrick’s Day Became A Holiday
- Female WWII Pilots: The Original Fly Girls
- Rain Damage, Detours Hinder Commutes In Northeast
- Why We Gain Weight As We Age
- Peter Gabriel: No Guitars, No Drums, All Covers
- Jesus And The Hidden Contradictions Of The Gospels
- Rabbi Kushner: An 'Accommodation' With God
- Amy Ryan: From 'The Office' To The 'Green Zone'
- Umm Kulthum: 'The Lady' Of Cairo
- Coffee Party Founder Wants Common Grounds
- Why We Gain Weight As We Age
- Obama Proposes Dismantling No Child Left Behind
- Calif. Governor Candidates Clash At GOP Convention
- Obama's Attorney General Under Attack
-
Hamilton College Choir to Perform in Boston on March 15
March 15, 2010
At Old South Church -
Matt & Shannon Heaton
March 16, 2010
At CLUB PASSIM -
Andover's Interesting & Obscure Stories
March 16, 2010
At Andover Historical Society' -
Distinguished Writers Series: Francine Prose
March 16, 2010
At Newhouse Center for the Humanities, Wellesley College




