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Bret McKenzie: A Very Manly Muppet [Extended Cut]

Bret McKenzie (left) wrote five of the songs in The Muppets, including the Oscar-nominated "Man or Muppet" and the opening number, "Life's a Happy Song." (Disney)

A shorter version of this interview was broadcast on Feb. 13, 2012.

Songwriter Bret McKenzie makes up one half of the New Zealand comedy rock duo Flight of the Conchords. He also wrote five of the songs in the new Muppet movie, including "Man or Muppet," one of two songs nominated for Best Original Song at this year's Academy Awards.

On Monday's Fresh Air, we preview a small portion of an upcoming interview with McKenzie.

McKenzie tells host Terry Gross that the script for The Muppets was already written when director James Bobin and screenwriters Jason Segel and Nick Stoller approached him about writing the film's musical numbers.

"For 'Man or Muppet,' they wanted a song about being a man or a Muppet," he says. "And James had this visual idea that the man would see a reflection of himself as a Muppet, and the Muppet would see a reflection of himself as a man. So within the song, it needed to incorporate some sort of echo-y idea, so you go between the two characters within the melody."

One of the mistakes I made was thinking chickens and penguins could sing, just like all the other animals in the Muppets. But it turns out those animals are not allowed to sing words. They can just cluck and quack.

Before McKenzie wrote the ballad, Segel and Stoller helped filled him in on the cardinal rules of the Muppet world. For example, Muppets think of themselves as humans in their worlds — not puppets. That ruled out using the word 'puppet' in any kind of rhyme scheme.

"Early on, I was going to get 'puppet' in there, but you can't do that," he says. "Muppets are real. So then I was riffing as to how I could get that melody and those lyrics to flip back and forth, so that's why I ended up rhyming Muppet with Muppet and man with man."

McKenzie says he was going for heart-wrenchingly sincere — the kind of song you might hear Eric Carmen or Harry Nilsson belt out. (Nilsson sang the epic power ballad "Without You." Carmen sang "All By Myself.")

"I really wanted to do a power-ballad tune, and really wanted to get it as dramatic as I possibly could get it to be," he says. "Both ['Without You' and 'All By Myself'] have a very similar feel, and I wanted to get this 'Man or Muppet' song to be one of those. ...That is what I found really funny."

The song ends up being a crucial moment in the film — both for the human, played by Jason Segel, and his Muppet friend Walter.

"I think everyone has had that crisis at some point, trying to figure out whether they are a man or a Muppet," McKenzie says. "I like the idea of people having that crisis driving around, trying to figure it out."


Interview Highlights

On Teaching Jason Segel How To Sing The Songs

"I would sing a line and he'd watch me through the studio window. And I'd sing it quite dramatically. And he would copy, and that's how we got the performance going."

On Learning What Muppets Can And Can't Do

"One of the mistakes I made was thinking chickens and penguins could sing, just like all the other animals in the Muppets. But it turns out those animals are not allowed to sing words. They can just cluck and quack. ... I had another Muppet reminiscing, 'I remember when I was just a little piece of felt.' And that got shut down pretty soon, as well. Because the Muppets are real and they never were bits of material in their world. And then the other one — I was really tempted to have the line 'mother-frogger' in there, and that got shut down for being too grown-up."

On The Muppeteers

"They take it very seriously, and sometimes in the studio, they kind of 'Method' Muppets, where in between takes, they stay in character. So I'm in the studio, we do a take and then we're like, 'Can you do it again? Just a little more energy?' and then they talk back to you as Fozzie the Bear. So it's like I'm having a conversation with the Muppet in there. Pretty strange, very surreal job."

On Cutting The Live Performances Of The Oscars' Two Nominated Songs

"I was disappointed when I found that out. I'm not complaining to have to go to the Oscars. I'm pretty excited about it all. But it would have been fun to get a man and a Muppet up there and really hit this one home. ... From my experience, it's always good to put a couple of songs in a show. Even if they weren't going to broadcast it, they could have them and then cut them. [Terry Gross interjects: 'It's a live show.'] Oh, it's a live show. That's the problem. Maybe they're worried that we're just going to keep singing."

On How He Would Have Staged His Oscar Performance

"I would have played piano and then [gotten] Jason Segel and Walter the Muppet up on stage. And then bring in a chorus of background singers with all the Muppets across the back of the stage. Maybe get Clooney and Pitt out there, as well, singing along."

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

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'Man or Muppet'
Transcript

(SOUNDBITE OF SONG, "MAHNA MAHNA")

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. Sometimes I realize I'm singing to myself, am I a man or am I a Muppet. Since I am neither, you can tell how much I like that song. The song "Man or Muppet" is from last year's movie "The Muppets," and it's nominated for an Oscar in the category, Best Original Song.

Last week, Bret McKenzie talked about writing the song. Today we're going to hear a longer version of that interview, in which he talked about writing some of the other songs for the Muppet movie.

You might know Bret McKenzie as half of the satirical music duo Flight of the Conchords, along with Jermaine Clement. They starred in an HBO comedy series called "Flight of the Conchords." The movie "The Muppets," stars Jason Segel as a guy whose half-brother is a Muppet named Walter. Walter has always lived in the human world but he's going on a pilgrimage to the old Muppet studio in LA with Segel and Segel's girlfriend. After Segel's girlfriend leaves him, accusing him of caring more about the Muppets than her, he sings about his identity crisis and Walter sings about his own identity crisis.

(SOUNDBITE OF SONG, "MAN OR MUPPET")

JASON SEGEL: (Singing) (as Gary) I reflect on my reflection and I ask myself the question what's the right direction to go. I don't know. Am I a man or am I a Muppet. Am I a Muppet? If I'm a Muppet, then I'm a very manly Muppet. Very manly Muppet. Am I Muppet? Muppet. Or am I man? Am I a man? If I'm a man that makes me a Muppet of a man. A Muppet of a man.

GROSS: Bret McKenzie, welcome to FRESH AIR and congratulations on the nomination. Such a great choice for...

(SOUNDBITE OF LAUGHTER)

GROSS: ...for them to have made. I love that song.

BRET MCKENZIE: Thanks very much.

GROSS: You are welcome. So when the screenwriters told you that they needed this song, what did they tell you about what they needed?

MCKENZIE: The script was already written. And Jason Segel and Nick Stoller, who wrote the script, and James Bobin had sort of...

GROSS: He was the director. Yeah.

MCKENZIE: James Bobin, the director. They had song briefs. And "Man or Muppet" it was just a - it'd say "Man or Muppet" and they wanted a song about being a man or a Muppet. And then James had this visual idea that the man would see a reflection of himself as a Muppet and the Muppet, Walter, would see a reflection of himself as a man.

So within the song it needed to incorporate some sort of echo-y sort of idea so that you could go between the two characters within the melody.

GROSS: Do you see the song as a Muppet power ballad?

MCKENZIE: Absolutely. Yeah. I just - I really wanted to do a power ballad tune and just wanted it to be as dramatic as I possibly could get it to be.

GROSS: So what - was there certain songs or certain performers you were thinking of when you wrote this? You know, like power ballad performers?

MCKENZIE: Yeah. I was really influenced by Harry Nilsson's "Without You" and Eric Carmen's "All By Myself."

GROSS: Sing a few lines so people know the song you're talking about.

MCKENZIE: You know the one, (singing) I can't live if living is without you. I can't give. I can't take anymore. (Speaking) And it just - it's just so epic, man. I mean, Harry Nilsson's got the best voice ever and he sang that at, you know, the height of his career just when his voice was still there before he started partying like a maniac with John Lennon.

And then Eric Carmen's song "All By Myself," which I love that song. A friend of mine used to sing it when she was single, you know, with a group of couples going, (singing) all by myself. Don't want to be all by myself anymore.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: Both those songs have a very similar feel, I think, and so what I wanted to do was get this man or Muppet song to be like one of those, like a really heart-wrenching, genuinely sincere, you know, power ballad about being a man or a Muppet and that was what I found really funny. Yeah.

GROSS: And then there's a part where Jason Segel's like bending over in agony and shaking his fists.

MCKENZIE: Ah, it's a great visual. He's on the street, like a downtown Los Angeles street and the rain's flooding down him. He's buckled over, just in agony of the melody.

GROSS: And of his dilemma of whether he's a man or a Muppet.

MCKENZIE: Yeah, whether he's a man or a Muppet. Yes. And then, of course, at the end of it they - it's a sort of turning point in the movie, so he realizes he's a man and the Muppet guy, Walter, realizes he's a Muppet. So it's a crucial moment in the movie as well.

GROSS: Of them finding their real identity.

MCKENZIE: Yeah. Yeah. And, I mean, what I like about it is it kind of - I think everyone's had that crisis at some point, trying to figure out whether they're a man or a Muppet.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: It's a real theme song for everyone.

GROSS: That's kind of true.

MCKENZIE: Well, I like the idea of people having that crisis, driving around singing it to themselves, trying to figure it out.

GROSS: I sing that to myself all the time, actually. I love the song. So, early on, Jason Segel has to sing "What's the right direction-n-n-n to go?" Tell me about making sure he said, like, lots of echo-y Ns in there.

MCKENZIE: Yeah. I don't know how that happened. That was one of those things I was just doing as I was sitting on the piano and then I just made him copy it. I would sing a line and he'd watch me through the studio window. And I'd sing it quite dramatically and then he'd copy me. And so that's why, that's how we kind of got the performance going.

GROSS: Let's hear another song that you wrote - words and music, and this is "Life's A Happy Song." And this is like the opening production number. It starts with Jason Segel and his Muppet half-brother brushing their teeth, looking forward to their trip to LA, where they're going to visit the old Muppet studio. So the song begins there, but it ends on Main Street of Small Town where the whole town is parading down the street singing "Life's A Happy Song." And you've somehow managed to make this a delightful happy song with it also being really funny like winking but still being infectious and making me smile throughout the whole thing.

Is it difficult to write a song where you almost have it both ways? Like it's kind of humorous but it really is such a happy song.

MCKENZIE: Yeah. The song is definitely very happy. It was one of those songs where the visual kind of dictated what was going to happen to it. So I wrote the initial sort of melody and bridge. And then James wanted to visually go on the street and these characters be accompanied by all the people in the town until there were 100 people singing along. So it gradually needed to pick up people. A little bit like a song in "Oliver Twist," that old musical "Consider Yourself" in London, where these two street urchins - Oliver and the Artful Dodger - are walking through London and all the people in town start singing along - the butcher and the florist. So we took those - that sort of idea and then made it more American. Yeah.

GROSS: Great. OK. So this is "Life's A Happy Song," which is from "The Muppet" movie soundtrack, and my guest is Bret McKenzie, who wrote the song.

(SOUNDBITE OF SONG, "LIFE'S A HAPPY SONG")

PETER LINZ AND JASON SEGEL: (as Walter and Gary) (Singing) Everything is great everything is grand. I got the whole wide world in the palm of my hand. Everything is perfect it's falling into place. I can't seem to wipe this smile off my face. Life smells like a rose...

PETER LINZ: (as Walter) ...with someone to paint.

SEGEL: (as Gary) ...with someone to pose.

SEGEL: (as Walter and Gary) (Singing) Life's a piece of cake...

SEGEL: (as Gary)...with someone to pedal.

LINZ: (as Walter) ...someone to break.

SEGEL: (as Walter and Gary) (Singing) Life is full of glee...

LINZ: (as Walter) ...with someone to saw.

SEGEL: (as Gary) ...and someone to see.

SEGEL: (as Walter and Gary) (Singing) Life's a happy song when there's someone by my side to sing along. I've got everything that I need right in front of me. Nothing's stopping me, nothing that I can't be when you're right here next to me.

SEGEL: (as Gary) Life's a piece of cake with someone to give...

LINZ: ...and someone to take.

SEGEL: (Singing) Life's a piece of pie with someone to wash and someone to dry. Life's an easy road with someone beside you to share the load. Life is full of highs with someone to stir and someone to fry. Life's a leg of lamb with someone there to lend a hand. Life's a bunch of flowers with someone to while away the hours. Life's a fillet of fish, hey, yes it is. Life's a happy song when there's someone by your side to sing along.

GROSS: That's "Life's A Happy Song," from the soundtrack of "The Muppet" movie. My guest Bret McKenzie wrote the song. He wrote several of the songs for the movie, and one of them "Man or Muppet," is nominated for an Oscar. And you also probably know him as half of Flight of the Conchords.

So when the Muppet movie was first released, I spoke with Jason Segel and Nick Stoller who co-wrote the movie and - of course Jason Segel stars in the movie. And one of the things Jason Segel said about working with you - having you write the songs, he said, we didn't have to tell Bret much in terms of tone because he's, by nature, very Muppet-y. Flight of the Conchords is a very...

(SOUNDBITE OF LAUGHTER)

GROSS: He said Flight of the Conchords is a very Muppet-y vibe. Its two wide-eyed innocents making the way through a tough New York, so he knew what to do right from the start.

So he's saying that you are by nature very Muppet-y.

MCKENZIE: That's very kind of him. That's very kind. That's very kind. Yeah.

GROSS: And what does Muppet-y mean to you?

MCKENZIE: Yeah. Muppet-y is a word that I've started using a lot since working on this. I think Muppet-y is sort of loose and slightly shambolic and with a lot of imperfections. So I'm not sure that I'm that Muppet-y, but I guess I am a little bit like that.

GROSS: And what does Muppet-y music mean? What makes music Muppet-y?

MCKENZIE: Well, Muppet-y music, for me, is the sound that Paul Williams and Kenny Ascher created when they did the first film and it which had, you know, classics like "The Rainbow Connection," "Movin' Right Along," and it had the Electric Mayhem, which is that band with Dr. Teeth and Animal, the drummer. And they had that sort of, you know, almost Dr. John, sort of New Orleansy sound, but more chaotic. And so working on the film, we tried to make these songs capture a little bit of that sound.

And one of the guys, one of the arrangers, Chris Caswell, who worked on some of the original Muppets stuff, he told me that Jim Henson used to say if the music sounds too good it's not right, and so I took that to heart. And it's that thing of if it sounds too perfect or too produced, it definitely doesn't sound Muppet-y.

GROSS: So how do you make it be a great take, yet imperfect?

MCKENZIE: Luckily, most of the Muppets can't sing.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: So it means that they always sound a little bit off and that makes it so much more charming and relatable, and sort of Muppet-ly human.

GROSS: And what about the musicians?

MCKENZIE: The musicians, I just tell them to keep it simple - not to get too fancy on it. There were a lot of LA session players and, you know, there's that sound. There's a few instruments that are crucial. There's that tack piano, where you get a normal piano and you put thumb tacks along all the hammerheads, so when it hits the string it gets that saloon bar ting, and then also the banjo and a kind of loose sloppy bass track.

GROSS: My guest is Bret McKenzie. He wrote several songs for the film "The Muppets." His song "Man or Muppet" is nominated for an Oscar. More after a break. This is FRESH AIR.

(SOUNDBITE OF SONG "MANAMANA")

GROSS: If you're just joining us, my guest is Bret McKenzie and he wrote some of the songs for the "Muppet Movie." And one of those songs which he wrote himself, "Man or Muppet," is nominated for an Oscar. I know that there's a Muppet Code.

Like, you can't call the Muppets puppets because they're – people are supposed to believe that they're real, that they're real living creatures. What are some of the other things that you were told you couldn't do in the songs that you were writing?

MCKENZIE: One of the mistakes I made was thinking that chickens and penguins could sing just like all the other animals in the Muppets. But it turns out that those animals are not allowed to actually sing words. They can just cluck and quack. And then I also had another line – I had one of the Muppets reminiscing, I remember when I was just a little piece of felt, and that got shut down pretty soon as well.

Because the Muppets are real and they never were bits of material in their world. And then the other one was I was really tempted to have the line mother-frogger...

(SOUNDBITE OF LAUGHTER)

GROSS: Yeah.

MCKENZIE: ...in there. Yeah, that got shut down for being a little bit too grown up.

GROSS: So did they explain why chickens and penguins can only cluck and quack, why they can't sing like the other Muppets?

MCKENZIE: No. It's just one of those things that they created years ago. I mean, it's great in the early shows where, you know, Gonzo loves the chickens and they just go bawk(ph) bawk when they talk back to Gonzo. So it's a good setup that they can't talk and they can only quack - I mean cluck.

But it was funny in the studio when I was like, OK, now the penguins sing this line and the Muppeteers, very serious guys, are like just like, um, I can't sing that line. Uh, the penguins, they don't say the words.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: Is that how you learned it, that they can't sing?

Yeah, that's how I learned it, in the studio and they told me. I was like, oh, OK. They take it very seriously. Fair enough, you know? And they – sometimes in the studio they're kind of method Muppets where they – in between takes they stay in character. So I'm in the studios, we do a take, and then they're like can we do it again? Can you try it just a little more energy or something like that.

And then they talk back to you as Fozzie the Bear or whoever they are.

(SOUNDBITE OF LAUGHTER)

GROSS: Seriously?

MCKENZIE: So it's like - yeah. So it's like I'm having a conversation with the Muppet and it was pretty strange, a very surreal job.

GROSS: Wow. So I want to play another song from the "Muppet Movie" and this is more of a rap than a song. Chris Cooper plays an evil oil magnate who wants to buy the old Muppet studio so that he can destroy it and drill for the oil that's been discovered underneath. He's very wealthy and very powerful and he has a rap about how very wealthy and powerful and wonderful he is.

And I want you to describe what your task was in writing this. What was the job description for this one?

MCKENZIE: This song was written by a guy called Ali-D initially, a New York hip hop songwriter, and um - who's worked with Disney a lot. And then when I came on they needed the rap itself to be rewritten, so I wrote Chris Cooper's part. And it needed to be a rap about him, yeah, just bragging about how much money he's got and, you know, how proud of himself he is. And that was all very well. That was all fun.

And then I was given the challenge of teaching Chris Cooper himself how to rap, which was another highlight on this roller coaster of a job. Like, it started with me on Skype, and he was in Boston and I was in Los Angeles and we had a rap – had a bit of a rap session on Skype just me and Chris Cooper. And luckily he's got some pretty mad flow.

(SOUNDBITE OF LAUGHTER)

GROSS: So what were some of the moves you had to teach him? Did you...

MCKENZIE: For the moves? Oh, no. I was more like I would rap a line and he would rap a line back to me.

GROSS: OK.

MCKENZIE: And I think someone said on set they saw him reading a book on how to rap.

GROSS: Did you have to tell him exactly how to say "mo' money"?

MCKENZIE: That's funny you should say that line, because the way I – yeah. He was trying to copy the way I did it, that mo' money line. I got mo' mon-ay. That's what I was trying to do. And he never really got that. He didn't quite get that one.

GROSS: OK. Well, let's hear it. This is Chris Cooper and this is "Let's Talk About Me" from the "Muppet Movie" soundtrack. And my guest Bret McKenzie, who's half of Flight of the Conchords, wrote the song.

(SOUNDBITE OF SONG, "LET'S TALK ABOUT ME")

CHRIS COOPER: (As Tex Richman) (Rapping) I'm Tex Richman, Mr. Texas Tea. People call me rich 'cause I got mo' mon-ay. I got more cheddar than some super-sized nachos. Got cash flow like Robert has Deniros. I use more greens than Vincent Van Gogh. I make the baker bake my bread out of dough – no, no, don't eat it, though. It'll make you ill. There ain't no flour in a hundred dollar bill.

CHORUS: (Singing) He's Tex Richman.

COOPER: Oh, yeah.

CHORUS: (Singing) Everybody listen...

COOPER: Here we go now.

CHORUS: (Singing) ...just how great it is to be him.

COOPER: Oh, it's great to be me. Yeah.

CHORUS: (Singing) He's the greatest.

COOPER: I'm the greatest.

CHORUS: (Singing) You're the lamest. Muppets are a waste of time, oh, can't you see?

COOPER: Uh, uh, uh, uh. Yeah. (Rapping) It's funny in a rich man's world...

GROSS: That's Chris Cooper from the soundtrack of the "Muppet Movie". The song was written by my guest Bret McKenzie who was also half of Flight of the Conchords - and he's nominated for an Oscar for another song he wrote for the "Muppet Movie" that's called "Man or Muppet."

MCKENZIE: Whoo-hoo.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: I'm just celebrating over here in Los Angeles.

GROSS: So I and a lot of our listeners know you as half of Flight of the Conchords. And Flight of the Conchords is the band that you and Jermaine Clement were members of, were the founders of, and appeared on the HBO--

MCKENZIE: Yeah, we're the two original members.

GROSS: That's right. That's right. And the HBO series that you created to showcase, you know, the band and the songs you'd written for the band was called Flight of the Conchords and it was just really a hysterical series. The plots were really funny. You'd moved from New Zealand to New York to try to make it, and you were just as small-time as small-time could possibly be.

You had a fan base of, like, one person. And anyway, so I'm used to you being like a duo. And here you are as a single, writing these songs. Were you...

MCKENZIE: This is some of my solo stuff.

GROSS: Were you used to writing songs on your own?

MCKENZIE: More Muppet-based stuff.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: No. Yeah, all the Conchord stuff, you know, we worked on together so it was different doing the Muppet stuff by myself. But I was working with the same producer who did all the Conchord stuff, Mickey Petralia. And James Bobin is the same director, so it was very, you know, similar in that sense.

GROSS: Why did the HBO series end?

MCKENZIE: That finished because we, sort of, ran out of steam, really. It was quite intense, making the show. We hadn't really learned how to delegate. Like, most American TV shows have staffs of, you know, have a staff of 12 to 20 writers and then – but we didn't really like working with other people very much, so we always did a lot of it ourselves. And then we're acting in it as well.

And then, in the weekends, recording the songs. So we were just a little bit overwhelmed by it all. And then - so by the end of two seasons we were really running out of ideas.

GROSS: But you're still friends, I hope.

MCKENZIE: Oh, yeah, yeah. I think we'll do something. I don't know whether it'll be another TV show. I think, maybe, a film would be more fun, though.

GROSS: That would be great. My guest is Bret McKenzie. He wrote several songs for the film "The Muppets." His song "Man or Muppet" is nominated for an Oscar. More after a break. This is FRESH AIR.

(SOUNDBITE OF MUSIC)

GROSS: My guest is Bret McKenzie. He's half of the Grammy-award winning comedy duo Flight of the Conchords. He wrote songs for the film "The Muppets." One of them is nominated for an Oscar. So when you were growing up in New Zealand, where you still live, at least part of the time, did you watch the Muppets? Were the Muppets popular in New Zealand?

MCKENZIE: Yeah. The Muppets were really popular in New Zealand but there were only two channels on TV so there weren't that many options. You just watched what was, really, on there.

GROSS: Do you think that's one of the things that maybe encouraged you in the direction of song parody?

MCKENZIE: Hmm. No, I don't think that's – I don't think it influenced me in that way, but it definitely was a good comedy stuff. Jermaine and I were more influenced by people like R. Kelly and Beck, that song "Debra." I don't know if you know that song?

GROSS: I don't think I know that song.

MCKENZIE: (Singing) I met you at JC Penny. I read your nametag, it said Jenny. I cold step to you with a fresh pack of gum. And somehow I knew you were looking for some. Oh, no.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: That's one of my favorite Beck songs. It is so funny, but really beautifully produced. And so that was kind of where I, sort of - what I was inspired by.

GROSS: So before you started doing satirical songs, were you ever in, like, a straight up band, you know, doing like genuine covers or, you know, original songs?

MCKENZIE: I was never in a covers band but I was in a lot of bands in Wellington. Wellington is like a little San Francisco. I think it's kind of like a mini-San Francisco mixed with Portland. And so growing up, it's a very – the arts community was really small and all the bands – everyone played, you know, played in each other's groups and every year there'd be a new manifestation of the same people with a different band name.

And, yeah, so I played in lots of different bands for about, you know, 10 years.

GROSS: And what kind of songs did you play?

MCKENZIE: When I was a teenager I was in like a – it was more like a James Brown inspired band.

GROSS: Really?

MCKENZIE: I was the drummer. Yeah, I was the funky drummer.

GROSS: Oh.

MCKENZIE: And I was at an all boys school, but one of the guys in the band organized a tour of the girls schools in our town. So we became very famous amongst our year group. It was a really good idea, a very successful tour. I'd recommend that for anyone starting a band.

GROSS: Since you were playing in a James Brown kind of band, did you try to learn certain gestures or moves, or get a certain attitude to, you know, look, like, authentic? And then did you start kind of mocking, exactly, those same things when you started doing comic music?

MCKENZIE: Early on, Jermaine and I ridiculed a lot of stadium rock moves and we'd come out on stage and be like: are you ready to rock? With these rooms with only like five or six people in the room. Are you ready to rock, Wellington?

(SOUNDBITE OF LAUGHTER)

MCKENZIE: But we – and then we'd go into these very small, folky little plinky-plunky songs. So, but then we switched it around and as we started doing the gigs it seemed to work better when we were more understated when we spoke to the crowd and then we put our energy into the songs.

GROSS: So as we record this, it looks like the nominated songs, the two nominated songs, are not going to be performed at the Oscars. I feel cheated, but probably not nearly as cheated as you feel.

MCKENZIE: I was disappointed when I found that out. That was just the other night. And, I mean, I'm not complaining to have to go to the Oscars. I'm pretty excited about it all, but, yeah, it would've been fun to get a man and a Muppet up there and really hit this one home.

GROSS: Do you know why they're not performing the songs?

MCKENZIE: I don't, actually. I'm not sure. I mean, it seems crazy. From my experience, it's always good to put a couple of songs in a show. So I don't know. It just seems that, like, even if they weren't going to broadcast it they could just have them and then cut them.

GROSS: It's a live show.

MCKENZIE: Oh. It's live. Oh, that's probably their problem.

GROSS: Yeah, that would be a problem.

(SOUNDBITE OF LAUGHTER)

MCKENZIE: Maybe they're worried that we're just going to keep singing.

GROSS: Yeah. If you were doing "Man or Muppet" at the Oscars, how would you have liked to stage it?

MCKENZIE: Well, I don't know. I think maybe I would've played some piano and then get Jason Segel and Walter the Muppet up on stage and then, I think, then bring in a chorus of background singers with all the Muppets across the back of the stage. Maybe get, you know, Clooney and Pitt out there as well singing along.

GROSS: Well, Bret McKenzie, thank you so much for talking with us. I really wish you good luck at the Oscars. I love the song. So thank you.

MCKENZIE: Thanks very much. Thanks for having me.

GROSS: Bret McKenzie wrote several songs for the movie "The Muppets" including "Man or Muppet" which is nominated for an Oscar for Best Original Song. You can see the "Man or Muppet" video on our website freshair.npr.org where you can also download a Podcast of our show. Transcript provided by NPR, Copyright NPR.

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