Nature, Neighbors Guide Composer's Notes
Phillip Bimstein was a successful new wave rocker with Phil 'n' the Blanks 20 years ago when he hiked in Zion National Park in southern Utah.
The Chicago native was so smitten with Zion's skyscraping sandstone cliffs, narrow red-rock gorges and desert river, he bought a house in Springdale, Utah, a town with a population of 550 located just outside the park.
In the years since, Bimstein was twice elected Springdale mayor. He was even named the area's "composer-in-residence," generating a mix of alternative classical works and lyrical ballads focused on the people, history and sounds of the National Park and the town now dependent on park visitors.
"These songs offer to people ... an entree into a more grounded understanding of the community that makes up Zion National Park," Bimstein says. "Zion National Park is not only the rock and the river. It is also the wildlife and the people who live there and have shaped the place."
Some of the wildlife is featured in "Half Moon at Checkerboard Mesa," which includes the sounds of frogs, crickets and coyotes, as well as the water of Zion's Virgin River and scraping sandstone rocks.
The natural sounds were sampled and synthesized in a computer and transformed into musical notes. An oboe provides melody.
" 'Half Moon at Checkerboard Mesa' is ... a musical hike through the sounds of Zion National Park," Bimstein explains. He recorded the sounds for the piece on his own hike in Many Pools Canyon, where water-filled, slick rock "potholes" attract wildlife. "I was just trying to make it like this oboist going for a walk through this canyon and encountering these frogs and coyotes and crickets and kind of collaborating with them."
The composition celebrates what the composer describes as the rejuvenating power of a National Park hike. "Zion National Park and all those critters in Zion have spirit. And so when we go to a National Park and we see those sights and we hear those sounds and we see those animals it helps us to regain our own spirit."
Bimstein's music also focuses on the human landscape in and around Zion. Garland Hirschi's Cows, a kind of concerto for cow and rancher, was an underground, alternative music hit in the 1990s. Garland Hirschi grazes cows in the pasture next to Bimstein's Springdale home, and the composer blends the rancher's voice, his cows' moos and musical notes derived from both.
"I found a man whose voice and stories totally expressed the experience of growing up in the presence of Zion National Park," Bimstein notes. "He grew up before there was electricity there ... He had raised his cattle up on the mesa there between Zion and Arizona. His family had raised crops right in the shadow of the park. And everything they ate they grew."
Bimstein's more recent compositions are conventional ballads based on other local characters and their stories. Some songs include lyrics using the exact words of the people involved and some use their voices.
Rancher Leon Lewis, who spent 31 years as principal of the Springdale Elementary School, sometimes recites his part live when Bimstein and his group, Red Rock Rondo, perform "When the Rooster Crows (Company's Coming)." The title and song grew out of a stroll in Lewis' barnyard.
"He took me to where he had ... old license plates on the side of his barn. And where he had 17 chickens that laid green eggs," Bimstein recalls. "One of the roosters let forth with a crow and he said to me, 'When a rooster crows, that means company's coming ... and I guess that's true because company's here."
Bimstein remembers thinking, "That sounds like the chorus of a song right there." Lewis' words and the details of the barnyard made it into the song, as well as the former principal's favorite poem, which he recites with a guitar strumming in the background:
You may have tangible wealth untold
Coffins of silver and coffers of gold
But richer than I you can never be
Because I had a mother who read to me
"The reason I chose Leon is because he ... knows the community intimately through the children who have grown up there," Bimstein explains. "He also ... knows the community through its original agricultural roots."
The transition from agriculture to tourism is a theme in other songs. "When President Harding Came to Zion" recalls the 1923 visit of Warren Harding, who was trying to attract more attention and funding for the relatively new National Park. Around that time, the sons of Carnelia Gifford Crawford sold the family's farm to the United States so that Zion National Park could expand.
Crawford was bitter, and she is quoted in the song saying, "It's a poor government that drives an old lady from her home" and "Why can't they just let me live here until I die?"
"Now I, as a person who loves the park and moved there to be near the park, am grateful for that land that they sold," Bimstein says. "But I understand her perspective. She was very angry and very upset because it had been her land for 50 years. And she didn't want to move off of it ... And I hope when people hear that song it helps them understand that perspective."
One new ballad laments the long commute many Zion and Springdale workers now endure because the popularity of the place, along with tourism and park wages, makes closer housing unaffordable. Another mourns the loss of Springdale's mulberry trees to new homes and businesses. But some celebrate local legends, culture and people, including a longtime park superintendent who worked to build positive relationships with townspeople.
The new songs will appear on a CD timed for release as the town and the park gear up for Zion National Park's centennial celebrations next year. Red Rock Rondo, as both the CD and Bimstein's group are called, is scheduled for release in September.
Bimstein's most famous musical subject seemed amused by the composer-mayor who records voices, stories, critters and rocks. "It sort of makes me laugh, some of the things he does," chuckled rancher Garland Hirschi in a 1997 NPR interview. "But he makes music out of them. I think it's OK as far as I'm concerned."
Bimstein says the stories the music tells prove something important about National Parks and the communities linked with them.
"There is more to visiting a National Park than the place," Bimstein asserts. "It's the history, it's the people and it's the life in the community today ... that can be just as interesting as the park itself."
9(MDAyNzUwMDI2MDEyNTA3MTU5NzcyNTQyNA004))
"Back and Forth (A Ghost Story)" recounts the childhood experience of Vilo DeMille. Performed by Red Rock Rondo.
The first "moovement" of Garland Hirschi's Cows, Bimstein's concerto for rancher and cow.
"Half Moon at Checkerboard Mesa" combines the oboe of Stephen Caplan with the sampled and synthesized sounds of frogs, crickets, coyotes, flowing water and scraping rocks recorded in Zion National Park.
"When the Rooster Crows (Company's Coming)" features the words and voice of Leon Lewis, a rancher and former elementary school principal in Springdale, Utah, the town just outside the main entrance to Zion National Park.
"When President Harding Came to Zion" tells the story of Carnelia Gifford Crawford, who farmed in what is now Zion National Park for 50 years, until her sons sold the place to the U.S. government so that Zion could expand.
ROBERT SIEGEL, host:
From NPR News, this is ALL THINGS CONSIDERED. I'm Robert Siegel. Zion National Park in southern Utah is famous for its narrow canyons and red rock walls thousands of feet high. But Phillip Bimstein doesn't only go there for the views. He travels to Zion for the sounds. This week we've been reporting from national parks across the country, and today NPR's Howard Berkes has this story of a composer's musical journey at Zion.
HOWARD BERKES: Put an alternative classical musician in Zion National Park, give him a tape recorder and then a computer, and this happens.
(Soundbite of "Half Moon at Checkerboard Mesa")
BERKES: This is "Half Moon at Checkerboard Mesa," which composer Phillip Bimstein calls a musical hike through the sounds of Zion National Park.
(Soundbite of "Half Moon at Checkerboard Mesa")
Mr. PHILLIP BIMSTEIN (Composer): I first gathered the sounds for "Half Moon at Checkerboard Mesa" by going for a hike up Many Pools Canyon on the east side of Zion National Park, which has these potholes filled with water in the slick rock. And so I got the sounds of the frogs. I recorded coyotes. I recorded crickets, and I recorded the sound of the Virgin River. And I also recorded rocks that I would pick up and scrape or hit together.
(Soundbite of music, "Half Moon at Checkerboard Mesa")
Mr. BIMSTEIN: To me, it's a joyful piece. It's got spirit to it, which I think Zion National Park and all of those critters in Zion National Park have. They have spirit. And so when we go to a national park and we see those sights and we hear those sounds and we see those animals, it helps us to regain our own spirit.
BERKES: All that drew Bimstein from Chicago to Zion 20 years ago. He settled in Springdale, Utah, the town of 550 just outside the park, and was elected mayor twice. That helped him discover the area's human landscape.
Mr. BIMSTEIN: Hey, Garland, join in.
BERKES: Hi.
Mr. GARLAND HIRSCHI (Rancher): Hello, there.
BERKES: Nice to meet you.
Mr. HIRSCHI: Same to you.
BERKES: Garland Hirschi grazes cows in the pasture next to Bimstein's house. That's where we all met a decade ago, when Hirschi's voice, his cows' moos, and musical notes based on both, combined for an alternative music hit.
(Soundbite of music)
Mr. HIRSCHI: Well, well, well, I'll tell you a little bit about my cows. A little bit about my cows. A little bit about my cows.
Mr. BIMSTEIN: You know, he grew up before there was electricity there, and he'd spent most of his life there.
(Soundbite of music)
Mr. HIRSCHI: They'd live off what they raised in the summertime, like the gardens and that. And then they'd have new cattle meat for the wintertime.
Mr. BIMSTEIN: And so I found a man whose voice and stories totally expressed the experience of growing up in the presence of Zion National Park.
(Soundbite of music)
Mr. HIRSCHI: My name is Garland C. Hirschi. Rockville, Utah.
Ms. VILO DeMILLE (Quiltmaker): I'm Vilo DeMille. I started when I was about nine years old to make these quilts.
BERKES: Vilo DeMille is famous for her colorful pioneer quilts, but it's the ghost town she grew up in that is the focus of one of Bimstein's more conventional ballads.
Mr. BIMSTEIN: I said to Vilo, I said, you know, I just wonder, you know, since it's a ghost town, did you ever hear any stories about ghosts? And she just looked at me and went, oh, I'll tell you about some ghosts.
Ms. DeMILLE: We were playing run sheepy run(ph), the kids in Grafton were. I must have been about 12 or 13. And we started up that lane there by my folks's place. It was just dusk.
(Soundbite of song)
Unidentified Group: (Singing) The children of Grafton ran too high, while she shut her eyes and she opened them wide and saw two figures in long, white dresses, hair clean down to their waist. She tried to give chase, but they went through the fence and disappeared into space.
Ms. DeMILLE: I swear to that to this day.
BERKES: Did you ever speculate about who they might have been?
Ms. DeMILLE: Mm-hmm. We just wondered if it was those two girls that was killed in the swing down there to Grafton. And the log at the top busted, come down and hit them on the head and killed both of them. They're both buried down there together in the same grave in the cemetery.
BERKES: The ghost song is part of a new project called "Red Rock Rondo," which marks the centennial of Zion National Park next year. It's a century in which the town, the people and the park intertwine for better and worse. Lives dependant on farming and ranching shifted to lives dependent on tourists. That was a painful transition for some, and Bimstein captures that in a ballad about Carnelia Gifford Crawford.
Mr. BIMSTEIN: Whose family settled up in land back in the 1870s that subsequently became Zion National Park. And she farmed that land for about 50 years, when eventually as an old woman her sons sold that land to the park.
(Soundbite of song)
Unidentified Group: Thirteen precious babies all drank from my breast. Eighty-six(ph) grandchildren these green fields have fed. Three hundred acres I've nursed all my life. Why can't they let me live here till I die, till I die?
Mr. BIMSTEIN: Now, I as a person who loves the park, am grateful for that land that they sold. But I understand from her perspective, she was very angry that her sons sold that land to the park because she didn't want to move off of it. And I hope that when people hear that song, it helps them to understand that perspective.
BERKES: Some of Bimstein's compositions are equally serious, some are whimsical. Rancher Garland Hirschi seemed amused 10 years ago by the composer/mayor recording stories, voices, critters and rocks.
Mr. HIRSCHI: It sort of makes me laugh, some of the things he does. But he gets music out of them. I think it's okay, as far as I'm concerned.
BERKES: Bimstein says the stories the music tells prove this.
Mr. BIMSTEIN: There is more to visiting a national park than the place. It's the history, it's the people and it's the life in the community today that can be just as interesting as the park itself.
(Soundbite of music)
BERKES: Phillip Bimstein's latest compositions about the characters and community linked with Zion National Park in Utah are due out on CD in September.
Howard Berkes, NPR News.
(Soundbite of music)
SIEGEL: You can hear entire compositions by Phillip Bimstein and see photos of some of the people featured in this music at NPR.org. Transcript provided by NPR, Copyright National Public Radio.
