2015 A Great Year For Art In BostonPlay
2015 was a great year to be an art admirer in Boston. Pulitzer Prize-winning art critic Sebastian Smee joins us to talk about the highlights. Here are some of Sebastian Smee's favorites, and a few extra Radio Boston favorites:
- Public art installations like Janet Echelman's string sculpture and JR's very visible graffiti mural.
- The stumbling, whimsical 'Strandbeests' at the Peabody Essex Museum.
- Normal Rockwell Museum's exhibit on the cartoon artist Roz Chast.
- The Museum of Fine Arts had two notable visiting exhibits--one on Katsushika Hokusai and the other on the Dutch masters.
- The Institute of Contemporary Art pulled out all the stops with an exhibit on Black Mountain College artists.
- Harvard Art Museums compiled a retrospective of Corita Kent's work.
- The Isabella Stewart Gardner Museum took us back to the 15th century with a look at Carlo Crivelli.
Sebastian Smee, Pulitzer Prize-winning art critic for The Boston Globe. He tweets @SebastianSmee.
More In This Series
Radio Boston: Reflecting On 2015: The Year In Health And Medicine
- "Continuing our series on 2015 in review, we discuss the latest in health and medicine with Dr. Neel Shah."
Radio Boston: Reflecting On 2015: The Year In Race Relations
- “We talk about the year in race relations with Peniel Joseph.”
Radio Boston: The Year In Sports With Investigative Sports Reporter Shira Springer
- “We look back at the year in sports with Shira Springer, and preview what 2016 holds in store.”
Radio Boston: Mini Exodus For Boston’s Museum Directors
- "So what do these resignations mean for Boston’s arts community, and what have these directors taught us about what it takes to lead a major arts institution in the 21st century?"
Radio Boston: Are Museums Keeping Artwork Alive?
- "New England is a special habitat for museums, writes Sebastian Smee, art critic for The Boston Globe. Many of Boston’s museums boast interactive exhibits and heavily-curated shows... Sebastian Smee asks whether museums are going too far — overwhelming the viewer with information and burying the original context of the art itself."
This segment aired on December 23, 2015.