Greg Cook is an arts reporter and critic for WBUR.org and The Providence Phoenix. His writing has also appeared in The Boston Phoenix, The Boston Globe, Art New England, Juxtapoz Magazine, Art & Antiques, PoetryFoundation.org and several newspapers in suburban Boston. He is the founder of The New England Journal of Aesthetic Research, which won a 2009 Creative Capital | Warhol Foundation Arts Writers Grant.
Cook is a leader in fostering art making in the New England. He oversees the New England Art Awards, an annual open-source, community project to honor art made in the region. He organizes the “Quiet, Please” arts and cultures talks at the Malden Public Library. And his writings sparked a community effort that got Boston’s Museum of Fine Arts to relaunch its Maud Morgan Prize for local women artists in 2011 after the museum neglected to award it for five years.
Cook teaches at Montserrat College of Art. His own pictures have appeared in fancy publications like Nickelodeon magazine, Publishers Weekly and The Believer, and have received honorable mentions in the 2006 and ’07 editions of “The Best American Comics.” He’s exhibited his artwork in Italy, France, Canada, Abu Dhabi, the United States, and the bathrooms of Boston’s Museum of Fine Arts.
Despite all this apparent liveliness, Wikipedia once declared him dead.
Thousands of masqueraders, stilters and revelers filled Boston’s streets for the 42nd annual Caribbean Carnival parade yesterday.
Public walks are scheduled for Aug. 22 in Ipswich, Aug. 28 in Boston and Sept. 10 in Cambridge.
Poems about black lives, women’s voices help Boston’s House Slam team win the National Poetry Slam.
Mirrored pyramids, a tree with its branches covered with blue bottles, a cabin to honor the lives of formerly enslaved Americans, and a pair of donkey-headed people wandering around.
Save the Harbor / Save the Bay invites people to help San Francisco artist Andres Amador draw a giant design on Constitution Beach as part of a free event Saturday.
To call them “beds” may be a stretch as most entries are carts, barely resembling beds, that are designed with large handles for pushing and just a rudimentary mattress slapped on top.
The House and Senate voted separately to restore $2.37 million to the Massachusetts Cultural Council’s budget.
Somerville resident Matt Kaliner’s marvelous creations are celebrated on design websites—and have even inspired an Internet hoax that Scientific American tried to debunk.
The festival aims to break down the wall between spectator and have everyone participate.
Our guide to the bands, dance troupes, hula hoopers and circus performers.
It’s sort of like regular dogsled races. Except instead of dogs, four people strap on harnesses to pull sleds.
How to financially sustain existing cultural institutions in an ever more technological world?
Check out video of five harpists performing a Michael Jackson medley.
The Commonwealth Awards honor contributions the arts, humanities, and sciences.
Cézanne “very much looks forward to the experiments of the next generation of painters,” says Museum of Fine Arts Assistant Curator Emily Beeny.
“For most of us it starts when you’re 3-years-old and you see a train,” says Bob Fallier of the model railroad club Northeast N-Trak, “and it sticks with you for the rest of your life.”
“We’re not pooh-poohing urban centers,” says Modern Times Theater puppeteer Justin Lander. “We’re promoting a different pace.”
The Massachusetts Cultural Council awarded $127,500 to individual artists and writers active in crafts, dramatic writing, and sculpture and installation.
“The response has been crazy,” said Rachel Strutt of the Somerville Arts Council, which is organizing the “Copy Cat Festival.” “The event sold out in 24 hours. And so we had to add a second show.”
Bassist Peter Hook shares his memories of the band in his new book “Unknown Pleasures: Inside Joy Division.”