Support the news
When I was little, my mom bought me a book of photos: Lewis Hine's Kids at Work, a softcover volume made for kids my age at the time. Seeing images of barefoot boys in cotton mills and toddlers picking fruit was my first encounter with the power of photography. I couldn't believe kids my age worked so hard — and in such dangerous conditions.
That book was a souvenir from a trip to a Pennsylvania coal mine. And I thought of it the moment I saw the work of Earl Dotter.
While most Americans spend a third of their lives at work, Dotter has spent more than half of his documenting workers as a photographer. His interest in hazardous work environments began in the late '60s, when he was first introduced to the coal mining community while volunteering in Tennessee. At that time, a coal miner was killed nearly every day, according to the Mine Safety and Health Administration.
Lee Hipshire was 36 when Dotter shot Hipshire's portrait at the mouth of a mine entrance, the dark hole behind him accentuating the grit of his face. Hipshire worked a "dirty job," says Dotter, shoveling loose coal onto conveyor belts — and as a result had developed lung issues.
"Lee was a handsome fellow, and when I asked him to pose for a portrait he looked right into the camera, right into my eyes," Dotter recalls. "Sometimes it's just someone's desire to be treated with self-respect and dignity that is conveyed."
Hipshire died when he was 57 from a heart attack, catalyzed by the strain of black lung disease.
Legislation since then has brought about widespread changes in workplace safety, and cases of black lung have declined. But a recent investigation by NPR and the Center for Public Integrity reveals that cases of black lung are once again on the rise, especially in younger miners. According to federal data obtained by CPI and NPR, the average workweek for miners grew 11 hours in the past 30 years, adding about 600 hours of exposure each year.
Dotter continues to document coal miners. Today, the tests for black lung are a little different, and the artwork on the waiting room wall has changed. But the toll on the workers struggling to catch their breath is not only the same — it may be worse.
Support the news