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A Most Vibrant Year For Cinematographer Bradford Young

In <em>Selma</em>, director of photography Bradford Young wanted the camera to feel like a participant. &quot;It was just about never retreating, always staying dangerously close to Martin Luther King,&quot; he says. (Paramount Pictures)
In Selma, director of photography Bradford Young wanted the camera to feel like a participant. "It was just about never retreating, always staying dangerously close to Martin Luther King," he says. (Paramount Pictures)

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