AdvertisementOne Sculptor's Answer To WWI Wounds: Plaster, Copper And PaintPlay04:05Download AudioSeptember 25, 2014NPR StafffacebookEmailPlaster casts taken from soldiers' mutilated faces (top row), new sculpted faces (bottom row), and final masks (on the table) sit in the studio of Anna Coleman Ladd in 1918. (Anna Coleman Ladd papers/Archives of American Art/Smithsonian Institution)
